Disc | # | Song | Duration |
---|---|---|---|
1 | 1 | Get Happy | 2:30 |
1 | 2 | 'S Wonderful | 3:32 |
1 | 3 | Godchild | 2:49 |
1 | 4 | Dinah | 2:55 |
1 | 5 | She Didn't Say Yes, She Didn't Say No | 2:33 |
1 | 6 | Bernie's Tune | 2:51 |
1 | 7 | Lullaby of the Leaves | 3:09 |
1 | 8 | Utter Chaos, No. 1 | :32 |
1 | 9 | Aren't You Glad You're You | 3:58 |
1 | 10 | Frenesi | 3:05 |
1 | 11 | Nights at the Turntable | 2:52 |
1 | 12 | Freeway | 2:42 |
1 | 13 | Soft Shoe | 2:36 |
1 | 14 | Walking Shoes | 3:10 |
1 | 15 | Aren't You Glad You're You [Live] | 3:36 |
1 | 16 | Get Happy [Live] | 5:50 |
1 | 17 | Poinciana [Live] | 3:49 |
1 | 18 | Godchild [Live] | 3:55 |
1 | 19 | Makin' Whoopee | 3:26 |
1 | 20 | Cherry | 2:55 |
1 | 21 | Motel | 2:33 |
1 | 22 | Carson City Stage | 2:30 |
2 | 23 | My Old Flame | 3:11 |
2 | 24 | All the Things You Are | 5:06 |
2 | 25 | Love Me or Leave Me [Alternate Take] | 2:47 |
2 | 26 | Love Me or Leave Me | 2:41 |
2 | 27 | Swinghouse [10' LP Take] | 2:53 |
2 | 28 | Swinghouse [12' LP Take][Version] | 2:52 |
2 | 29 | Jeru | 2:30 |
2 | 30 | Utter Chaos, No .2 | :30 |
2 | 31 | Darn That Dream | 3:49 |
2 | 32 | Darn That Dream [Alternate Take] | 3:20 |
2 | 33 | I May Be Wrong [12' LP Take][Version] | 2:37 |
2 | 34 | I May Be Wrong [10' LP Take] | 2:50 |
2 | 35 | I'm Beginning to See the Light [10' LP Take] | 3:35 |
2 | 36 | I'm Beginning to See the Light [12' LP Take][Version] | 3:06 |
2 | 37 | The Nearness of You | 2:50 |
2 | 38 | Tea for Two | 2:46 |
2 | 39 | Five Brothers [Live] | 2:57 |
2 | 40 | I Can't Get Started [Live] | 4:00 |
2 | 41 | Ide's Side [Live] | 4:21 |
2 | 42 | Funhouse [Live] | 3:26 |
2 | 43 | My Funny Valentine [Live] | 5:16 |
3 | 44 | People Will Say We're in Love | 3:40 |
3 | 45 | Reunion | 4:03 |
3 | 46 | When Your Lover Has Gone | 5:06 |
3 | 47 | Stardust | 4:42 |
3 | 48 | My Heart Belongs to Daddy | 4:12 |
3 | 49 | Jersey Bounde | 4:27 |
3 | 50 | The Surrey With the Fringe on Top | 4:42 |
3 | 51 | Ornithology | 5:09 |
3 | 52 | Trav'lin' Light | 3:39 |
3 | 53 | Trav'lin' Light [Alternate Take] | 4:32 |
3 | 54 | The Song Is You | 3:21 |
3 | 55 | Gee Baby, Ain't I Good to You | 3:35 |
3 | 56 | Gee Baby, Ain't I Good to You [Alternate Take] | 3:31 |
3 | 57 | I Got Rhythm | 5:59 |
3 | 58 | All the Things You Are | 6:45 |
3 | 59 | Festive Minor | 4:08 |
4 | 60 | Too Marvelous for Words [Live] | 3:36 |
4 | 61 | Lover Man [Live] | 3:01 |
4 | 62 | I'll Remember April [Live] | 4:11 |
4 | 63 | These Foolish Things [Live] | 3:20 |
4 | 64 | All the Things You Are [Live] | 3:55 |
4 | 65 | Bernie's Tune [Live] | 3:32 |
4 | 66 | Almost Like Being in Love | 2:55 |
4 | 67 | Sextet | 2:59 |
4 | 68 | Broadway | 2:53 |
4 | 69 | I Can't Believe That You're in Love With Me | 3:06 |
4 | 70 | Oh, Lady Be Good | 2:29 |
4 | 71 | Oh, Lady Be Good [Alternate Take] | 1:52 |
4 | 72 | Between the Devil and the Deep Blue Sea | 3:38 |
4 | 73 | This Time the Dream's on Me | 3:22 |
4 | 74 | Let There Be Love | 3:41 |
4 | 75 | How About You? | 2:50 |
4 | 76 | I Guess I'll Have to Change My Plans | 2:23 |
4 | 77 | This Is Always [Alternate Version] | 3:58 |
4 | 78 | My Old Flame | 3:47 |
4 | 79 | It Don't Mean a Thing (If It Ain't Got That Swing) | 2:08 |
4 | 80 | The Lady's in Love With You | 2:24 |
4 | 81 | I've Grown Accustomed to Her Face [Alternate Version] | 3:03 |
4 | 82 | You Turned the Tables on Me | 3:23 |
▼ CD 1:The Quartet | |||
---|---|---|---|
# | Title | Rating | Length |
1 | Get Happy
| 2:34 | |
2 | ’S Wonderful
| 3:34 | |
3 | Godchild
| 2:55 | |
4 | Haig and Haig (Dinah)
| 2:57 | |
5 | She Didn’t Say Yes, She Didn’t Say No
| 2:35 | |
6 | Bernie’s Tune
| 2:52 | |
7 | Lullaby of the Leaves
| 3:14 | |
8 | Utter Chaos #1
| 0:37 | |
9 | Aren’t You Glad You're You
| 2:51 | |
10 | Frenesi
| 3:09 | |
11 | Nights at the Turntable
| 2:53 | |
12 | Freeway
| 2:45 | |
13 | Soft Shoe
| 2:38 | |
14 | Walkin’ Shoes
| 3:13 | |
15 | Aren’t You Glad You're You
| 4:00 | |
16 | Get Happy
| 5:53 | |
17 | Poinciana
| 3:52 | |
18 | Godchild
| 3:59 | |
19 | Makin’ Whoopee
| 3:29 | |
20 | Cherry
| 2:57 | |
21 | Motel
| 2:35 | |
22 | Carson City Stage
| 2:29 |
▼ CD 2:The Quartet | |||
---|---|---|---|
# | Title | Rating | Length |
1 | Festive Minor
| 4:10 | |
2 | My Old Flame
| 3:12 | |
3 | All the Things You Are
| 5:10 | |
4 | Love Me or Leave Me (alternate take)
| 2:48 | |
5 | Love Me or Leave Me (master take)
| 2:43 | |
6 | Swinghouse (10″ take)
| 2:58 | |
7 | Swinghouse (12″ take)
| 2:57 | |
8 | Jeru
| 2:30 | |
9 | Utter Chaos #2
| 0:31 | |
10 | Darn That Dream (master take)
| 3:49 | |
11 | Darn That Dream (alternate take)
| 3:23 | |
12 | I May Be Wrong (12″ take)
| 2:59 | |
13 | I May Be Wrong (10″ take)
| 2:52 | |
14 | I’m Beginning to See the Light (10″ take)
| 3:35 | |
15 | I’m Beginning to See the Light (12″ take)
| 3:08 | |
16 | The Nearness of You
| 2:52 | |
17 | Tea for Two
| 2:48 | |
18 | Five Brothers
| 3:00 | |
19 | I Can’t Get Started
| 4:02 | |
20 | Ide’s Side
| 4:22 | |
21 | Funhouse (Haig and Haig)
| 3:29 | |
22 | My Funny Valentine
| 5:17 |
▼ CD 3:The Tentette and Konitz Sessions | |||
---|---|---|---|
# | Title | Rating | Length |
1 | A Ballad
| 2:55 | |
2 | Westwood Walk
| 2:36 | |
3 | Walkin’ Shoes
| 3:41 | |
4 | Rocker
| 2:28 | |
5 | Takin’ a Chance on Love
| 2:52 | |
6 | Flash
| 3:06 | |
7 | Simbah
| 3:00 | |
8 | Ontet
| 3:18 | |
9 | Too Marvelous for Words
| 3:40 | |
10 | Lover Man
| 3:04 | |
11 | I’ll Remember April
| 4:14 | |
12 | These Foolish Things
| 3:25 | |
13 | All the Things You Are
| 3:57 | |
14 | Bernie’s Tune
| 3:34 | |
15 | Almost Like Being in Love
| 2:59 | |
16 | Sextet
| 3:00 | |
17 | Broadway
| 2:58 | |
18 | I Can’t Believe That You're in Love With Me
| 3:09 | |
19 | Lady Be Good (master take)
| 2:31 | |
20 | Lady Be Good (alternate take)
| 1:53 |
drums (drum set): | Chico Hamilton (1952-08-16) (tracks 6–8) Chico Hamilton (1952-10-15 – 1952-10-16) (tracks 9–14) Larry Bunker (1953-02-24) (tracks 19–22) |
---|---|
trumpet: | Chet Baker (1952-08-16) (tracks 6–8) Chet Baker (1952-10-15 – 1952-10-16) (tracks 9–14) Chet Baker (1953-02-24) (tracks 19–22) |
double bass: | Joe Mondragon (1952-07-09) (tracks 4–5) Bob Whitlock(Jazz bassist) (1952-08-16) (tracks 6–8) Bob Whitlock(Jazz bassist) (1952-10-15 – 1952-10-16) (tracks 9–14) Carson Smith (1953-02-24) (tracks 19–22) |
piano: | Jimmy Rowles (1952-07-09) (tracks 4–5) |
baritone saxophone: | Gerry Mulligan (1952-07-09) (tracks 4–5) Gerry Mulligan (1952-10-15 – 1952-10-16) (tracks 9–14) Gerry Mulligan (1953-02-24) (tracks 19–22) |
composer: | Alberto Domínguez (track 10) Arthur Gillespie (track 20) Charles N. Daniels (track 20) Bernice Petkere (track 7) George Wallington (tracks 3, 18) Harold Arlen (1929) (tracks 1, 16) Nat Simon (1936) (track 17) |
lyricist: | Alberto Domínguez (track 10) Jerry Leiber (track 6) Joe Young(US lyricist) (track 7) Ted Koehler (1929) (tracks 1, 16) Buddy Bernier (1936) (track 17) Johnny Burke(American lyricist, 1908-1964) (1945) (tracks 9, 15) |
publisher: | Beth Dryer Music (track 19) Chappell & Co., Inc. (track 2) Donaldson Publishing Company (track 19) Francis, Day & Hunter Ltd. (tracks 1, 16) Ira Gershwin Music (track 2) Keith Prowse Music Publishing Co. Ltd. (track 19) Tobago Music Co. (track 19) Warner Bros. Music(publisher; do NOT use as release label) (tracks 1, 16) Warner/Chappell North America Limited(formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track 2) |
recorded at: | Phil Turetsky’s House in Los Angeles, California, United States (1952-06-10) (tracks 1–3) Phil Turetsky’s House in Los Angeles, California, United States (1952-07-09) (tracks 4–5) Phil Turetsky’s House in Los Angeles, California, United States (1952-08-16) (tracks 6–8) Gold Star Studios in Hollywood, Los Angeles, California, United States (1952-10-15 – 1952-10-16) (tracks 9–14) The Haig in Los Angeles, California, United States (1953-01) (tracks 15–18) Gold Star Studios in Hollywood, Los Angeles, California, United States (1953-02-24) (tracks 19–22) |
arrangements: | |
instrumental recording of: | Get Happy (1952-06-10) (track 1) She Didn’t Say Yes (1952-07-09) (track 5) Lullaby of the Leaves (1952-08-16) (track 7) Aren’t You Glad You're You? (1952-10-15 – 1952-10-16) (track 9) Makin’ Whoopee! (1953-02-24) (track 19) |
later parody versions: | |
later translated versions: | Frenesi (track 10) Voyage au paradis (tracks 1, 16) |
live instrumental recording of: | Aren’t You Glad You're You? (1953-01) (track 15) |
live recording of: | Godchild (1953-01) (track 18) Poinciana (Song of the Tree) (1953-01) (track 17) |
part of: | An American in Paris(2015 Broadway musical) (track 2) |
recording of: | Godchild (1952-06-10) (track 3) Freeway (1952-10-15 – 1952-10-16) (track 12) Nights at the Turntable (1952-10-15 – 1952-10-16) (track 11) Walkin’ Shoes (1952-10-15 – 1952-10-16) (track 14) Motel (1953-02-24) (track 21) |
referred to in medleys: | Get Happy / Happy Days Are Here Again (tracks 1, 16) |
drums (drum set): | Larry Bunker (1953-04-27) (tracks 4–9) Larry Bunker (1953-04-29 – 1953-04-30) (tracks 10–17) |
---|---|
trumpet: | Chet Baker (1953-03-27) (tracks 1–3) Chet Baker (1953-04-29 – 1953-04-30) (tracks 10–17) |
double bass: | Carson Smith (1953-03-27) (tracks 1–3) Carson Smith (1953-04-29 – 1953-04-30) (tracks 10–17) |
baritone saxophone: | Gerry Mulligan (1953-03-27) (tracks 1–3) Gerry Mulligan (1953-04-29 – 1953-04-30) (tracks 10–17) |
composer: | Walter Donaldson (tracks 4–5) Arthur Johnston(American composer and songwriter) (track 2) Jimmy Van Heusen (tracks 12–13) Richard Rodgers (1937) (track 22) Jerome Kern (1939) (track 3) Duke Ellington(US composer, pianist & jazz bandleader) (1944) (tracks 14–15) Harry James(US big band leader, trumpeter & actor) (1944) (tracks 14–15) |
lyricist: | Eddie DeLange (tracks 12–13) Gus Kahn (tracks 4–5) Lorenz Hart (1937) (track 22) Eddie DeLange (1939) (tracks 10–11) Don George (1944) (tracks 14–15) |
publisher: | EMI Music Publishing Ltd. (tracks 4–5) Famous Music(renamed since 2007-05 as Sony/ATV Harmony/Melody) (track 2) Keith Prowse Music Publishing Co. Ltd. (tracks 4–5) PolyGram Music Publishing Ltd. (track 3) Scarsdale Music Corp.(ASCAP) (tracks 10–11) Sony/ATV Harmony UK (track 16) T.B. Harms Co. (track 3) Warner Bros., Inc.(not for release label use!) (track 17) Warner Chappell Music Ltd.(no slash; used 1988–1996) (tracks 17, 22) Williamson Music Company (track 22) ヤマハミュージックパブリッシング (– 2017-03-31) (track 17) ヤマハミュージックエンタテインメントホールディングス(holding company - do not use as release label) (2017-04-01 –) (track 17) |
recorded at: | Radio Recorders Studios in Hollywood, Los Angeles, California, United States (1953-03-27) (tracks 1–3) Radio Recorders Studios in Hollywood, Los Angeles, California, United States (1953-04-27) (tracks 4–9) Radio Recorders Studios in Hollywood, Los Angeles, California, United States (1953-04-29 – 1953-04-30) (tracks 10–17) The Haig in Los Angeles, California, United States (1953-05-20) (tracks 18–22) |
arrangements: | My Funny Valentine(arr. Andrea Figallo) (track 22) |
instrumental recording of: | All the Things You Are(from Very Warm for May) (1953-03-27) (track 3) Love Me or Leave Me (1953-04-27) (tracks 4–5) Darn That Dream (1953-04-29 – 1953-04-30) (tracks 10–11) I May Be Wrong (1953-04-29 – 1953-04-30) (tracks 12–13) I’m Beginning to See the Light (1953-04-29 – 1953-04-30) (tracks 14–15) Tea for Two(No, No, Nanette) (1953-04-29 – 1953-04-30) (track 17) The Nearness of You (1953-04-29 – 1953-04-30) (track 16) |
later translated versions: | |
live instrumental recording of: | I Can’t Get Started (1953-05-20) (track 19) My Funny Valentine(from 'Babes in Arms') (1953-05-20) (track 22) |
live recording of: | Funhouse (Haig and Haig) (1953-05-20) (track 21) |
part of: | Babes in Arms(full musical) (track 22) |
recording of: | Festive Minor (1953-03-27) (track 1) Swing House (1953-04-27) (tracks 6–7) |
referred to in medleys: | Medley: My Funny Valentine / If I Loved You (track 22) Medley: Tea for Two / September in the Rain (track 17) Medley: A Cottage for Sale / Darn That Dream (tracks 10–11) |
recorded in: | Los Angeles, California, United States (1953-01) (tracks 15–17) |
---|---|
drums (drum set): | Chico Hamilton (1953-01-29) (tracks 1–4) |
trumpet: | Chet Baker (1953-01) (tracks 9–20) Pete Candoli (1953-01-29) (tracks 1–4) Pete Candoli (1953-01-31) (tracks 5–8) |
double bass: | Carson Smith (1953-01) (tracks 9–17) Joe Mondragon (1953-01-31) (tracks 5–8) |
alto saxophone: | Bud Shank (1953-01-29) (tracks 1–4) |
piano: | Gerry Mulligan (1953-01-29) (tracks 1–4) |
baritone saxophone: | Gerry Mulligan (1953-01) (tracks 9–20) Gerry Mulligan (1953-01-29) (tracks 1–4) Gerry Mulligan (1953-01-31) (tracks 5–8) |
tuba: | Ray Siegel (1953-01-31) (tracks 5–8) |
French horn: | John Graas (1953-01-31) (tracks 5–8) |
valve trombone: | Bob Enevoldsen (1953-01-31) (tracks 5–8) |
additional composer: | |
arranger: | Art Pepper (track 11) |
composer: | Frederick Loewe (track 15) Bernie Miller(jazz composer) (track 14) Gene de Paul (track 11) Roger “Ram” Ramirez(Puerto Rican jazz pianist) (track 10) Jack Strachey (1935) (track 12) Jerome Kern (1939) (track 13) Jimmy Davis(songwriter, 'Lover Man') (1942) (track 10) |
lyricist: | Clarence Gaskill (track 18) John Latouche (track 5) Alan Jay Lerner (track 15) Mike Stoller (track 14) Eric Maschwitz (1935) (track 12) Oscar Hammerstein II (1939) (track 13) Jimmy Davis(songwriter, 'Lover Man') (1942) (track 10) Roger “Ram” Ramirez(Puerto Rican jazz pianist) (1942) (track 10) |
writer: | Bobby Bird(Jazz composer and lyricist) (track 17) William Henri Woode (track 17) |
publisher: | Boosey & Hawkes Music Publishers, Ltd (track 12) Chappell Music Ltd. (tracks 19–20) EMI Miller Catalog, Inc. (track 5) EMI Music(do not use as release label! this is a music publisher) (track 15) Ira Gershwin Music (tracks 19–20) MCA Music(not for release label use! this is a music publisher, ASCAP-affiliated) (track 10) PolyGram Music Publishing Ltd. (track 13) Sam Fox Publishing Co. (London) Ltd. (track 15) WB Music Corp.(ASCAP) (tracks 19–20) |
recorded at: | Phil Turetsky’s House in Los Angeles, California, United States (1953-01) (tracks 18–20) The Haig in Los Angeles, California, United States (1953-01) (tracks 9–14) Capitol Studios(Hollywood, CA) in Hollywood, Los Angeles, California, United States (1953-01-29) (tracks 1–4) Capitol Studios(Hollywood, CA) in Hollywood, Los Angeles, California, United States (1953-01-31) (tracks 5–8) |
arrangements: | |
instrumental recording of: | Almost Like Being in Love(from 'Brigadoon') (1953-01) (track 15) I Can't Believe That You're in Love With Me (1953-01) (track 18) Taking a Chance on Love (1953-01-31) (track 5) |
is the basis for: | 7 Virtuoso Études: Oh, Lady Be Good (tracks 19–20) |
later parody versions: | |
later translated versions: | Ces petites choses (track 12) Daß ich Dich wiederseh’(Taking a Chance on Love) (track 5) |
later versions: | A Ballad (track 1) Såna små ting (track 12) |
live instrumental recording of: | All the Things You Are(from Very Warm for May) (1953-01) (track 13) I’ll Remember April (1953-01) (track 11) These Foolish Things (Remind Me of You) (1953-01) (track 12) |
part of: | Brigadoon(complete musical) (track 15) |
recording of: | Sextet (1953-01) (track 16) Rocker (1953-01-29) (track 4) Westwood Walk (1953-01-29) (track 2) Ontet (1953-01-31) (track 8) |
referred to in medleys: | Bernie's Tune | What is there to say? (track 14) |
Discogs: | https://www.discogs.com/release/5409743[info] |
---|